The fifth annual Icon ACR Conference celebrates 'Positive Resilience'.
This year, the fifth annual Icon ACR Conference takes 'Positive Resilience' as its theme. Over two days we will explore how the conservation profession has had to adapt over the past year – through a mix of presentations, case studies, and interactive workshops.
Positive Resilience is about looking at the positivity that can be generated in the face of COVID, and many other external factors.
Have you wondered how to maintain strong relations with existing and potential clients? Want to know how have insitutions continued to run workplace programmes, even amidst the pandemic? And what part does your CPD play in development and adaptability? These are just some of the questions and topics that will arise.
Session 1: Positive Resilience in Conservation
10am – 10.15am BST, 15 June 2021 ‐ 15 mins
Session 1: Positive Resilience in Conservation
Session 1: Positive Resilience in Conservation
10.15am – 10.35am BST, 15 June 2021 ‐ 20 mins
Session 1: Positive Resilience in Conservation
The Power of Purpose for Positive Resilience
Siân will focus on what positive resilience is and how it impacts on organisational and individual purpose. Highlighting what the individual does and how they can influence and bring about change. Looking at the skills for sustainability and how the conservation professionals innate abilities to reflect and review options, and be creative are within the conservators toolkit to help meet the demands of an ever changing world. What next for their role as a conservator?
Session 1: Positive Resilience in Conservation
10.35am – 11.05am BST, 15 June 2021 ‐ 30 mins
Session 1: Positive Resilience in Conservation
During the first lockdown Ian Watson, Ruth Stevens, Anne-Marie Miller and Victoria Stevens decided to meet on Zoom as a mutual support group. We knew each other from either working together or meeting in the course of our work and becoming friends. At the time working was becoming very isolated and sometimes stressful – some were busy, others not so. We thought if we could share work, inspiration and ideas we could get through the difficulties with our minds and businesses intact. This regular contact led to the realisation that we all wanted to work more collaboratively, and the CIC grew from that desire.
Each conservator has brought a different talent and personality to the group, which we think has made the CIC more robust and resilient. Our roles reflect our different strengths and we are also supportive of each other.
We will discuss our individual journeys through the process of initial contact to setting up a business together, our motivations, how inspiring that has been for us individually, and why we think we can achieve more as a group of conservators working together with a single focus.
We’ve had our ups and downs, had to tackle some difficult decisions and learnt new ways of working. But, despite the many distractions we all have to cope with, we have found time and energy to bring to this new collaborative project because we think it is an important and meaningful endeavour.
Session 1: Positive Resilience in Conservation
11.05am – 11.35am BST, 15 June 2021 ‐ 30 mins
Session 1: Positive Resilience in Conservation
On 28th October the National Ironwork Group (NHIG) and the Icon Metals Group organised a webinar, ‘Up to standard or down to price’ which discussed the problem facing freelance conservator-restorers when faced with a ‘bad brief’. https://nhig.org.uk/events/event/nhig-with-icon-conversations-build-understanding-tendering/ The advice from experienced (and possibly more financially secure) conservator-restorers was to simply ‘walk away’. But how are the less experienced conservator-restorers, who are anxious to gain work and not alienate potential clients, to respond? Helen Hughes ACR has run her own consultancy for the last 10 years looks at this problem and offers solutions and negotiation tactics to maintain good relations with potential clients, and possibly win the contract without loss of professional integrity and lowering of standards. She recommends various strategies such as defining company Terms & Conditions on websites, sharing examples of previous projects, and the use of existing conservation standards, particularly the recently published BSI/European Standard BS EN 17429:2020 Conservation of Cultural Heritage – Procurement of Conservation Services & Works, to negotiate solutions to this problem. But remember the words of the wise, sometimes it is best just ‘to walk away’.
Session 2: Building Personal Resilience
2pm – 3pm BST, 15 June 2021 ‐ 1 hour
Session 2: Building Personal Resilience
Building Personal Resilience
In this interactive workshop, we will explore ways to build our personal resilience and wellbeing, in an increasingly complex and ever-changing landscape. We will explore different models of resilience, coping strategies and ways to develop a positive outlook.
Session 3: Building Positive Resilience
10am – 10.30am BST, 16 June 2021 ‐ 30 mins
Session 3: Building Positive Resilience
Doing a Professional Doctorate: Motivation, Means and (mis)Management
Professional doctorates (DProf) have been around since the 1990s and are now offered in a wide range of subjects including medicine, education, engineering, business and art practice. They offer an alternative to the traditional PhD for professionals who wish to investigate areas of their own practice. Various models exist with the most common being a programme that includes taught modules followed by a period of independent study, and the submission of a substantial thesis often in the form of a dissertation and portfolio of work.
In this presentation Alison Lister will provide an overview of professional doctorates, including their potential value to conservation, and describe her experiences as a first year student on the DHeritage programme offered by the University of Hertfordshire. She will also briefly outline the topic of her research into the challenges and opportunities of private practice.
Session 3: Building Positive Resilience
10.30am – 11am BST, 16 June 2021 ‐ 30 mins
Session 3: Building Positive Resilience
A Freelance Perspective: 2020, a curate's egg?
As we all know March 2020 to the present has been a very strange time. With 60% of conservators working in some form of private practice, this paper/discussion will look at some of the challenges that the past year has presented to those who work outside the structures of museums, galleries, archives and education. As freelance conservators working in different specialisms with differing business set-ups, Peter as a public limited company and Emily as a sole trader, both have experienced the difficulties that a country wide pandemic results in. In a year like no other both have received different supports from the Welsh Government funds (there are still over three million people countrywide that have had no help) and experienced turbulent workflows. This paper will discuss their experiences, how they have adapted their work practices by ‘pivoting’, and how working with each other and other conservators, has helped them get through. Looking forward, they consider what the future might hold, and how they can adapt to the broader challenges that coming out of lockdown are likely to present.
Peter J David ACR [email protected]
Emily O’Reilly ACR [email protected]
Session 3: Building Positive Resilience
11am – 11.30am BST, 16 June 2021 ‐ 30 mins
Session 3: Building Positive Resilience
Maslow’s ‘needs must’ management during lockdown
Covid 19, and the resulting lockdowns, have changed the way the heritage sector has had to work. This paper will explore how Maslow’s ‘hierarchy of needs’ has been tested during lockdown, and how we have adapted our management style, both self-management and when applied to others, to reflect this. By focussing on Maslow’s theory, the paper will use personal examples to demonstrate how a ‘needs must’ approach has evolved, and how it has been of benefit during these challenging times. Maslow’s 1943 theory suggests that humans are motivated to address certain needs, in a certain order, at certain times in their life. Maslow describes a five tier model of human needs. These include basic needs (1. Food and clothing; 2. Safety); psychological needs (3. Love and belonging; 4. Esteem) and finally self-fulfilment needs (5. Self-actualization). This theory, later adapted and expanded in the 1960s and 1970s, has many critics but it will be shown to be a useful lens through which to view the recent lockdowns and the effect on individual and team behaviours. This will allow for an honest and thought-provoking exploration of the different human needs and how they manifested themselves during lockdown.
Session 3: Building Positive Resilience
11.30am – 12pm BST, 16 June 2021 ‐ 30 mins
Session 3: Building Positive Resilience
Session 4: Building Positive Resilience
2pm – 2.30pm BST, 16 June 2021 ‐ 30 mins
Session 4: Building Positive Resilience
Talking Threads at the Pitt Rivers Museum: Community Engagement and Documentation in a Pandemic
Talking Threads is a project that integrates museum documentation and community engagement. It aims to enhance photographic and written documentation of selected textile collections in ways that are helpful for weaving practitioners, specialists and interested members of originating communities. This presentation illustrates the tools, techniques and platforms that the project is utilising to keep the conversations engaging as well as meaningful. In light of the Covid-19 pandemic and global restrictions on travel and in-person visits, it was vital that the project adapted to the circumstances. By making use of digital communication technology that is accessible for the communities, the project team attempt to create an experience as close to an in-person research visit as possible. A multi-camera view complete with live-streaming microscope is set up, mostly using the existing equipment in the conservation lab. Simultaneously, it is important to consider the digital divide: the varying degrees of internet access in different communities, and have a flexible and adaptive attitude to these communication tools. The team have also seized the opportunity to get creative with producing informative, dynamic and engaging content on social media to highlight different aspects of the textiles collection, aiming to engage and capture the imagination of the wider public, especially during the closure of the museum.Session 4: Building Positive Resilience
2.30pm – 3pm BST, 16 June 2021 ‐ 30 mins
Session 4: Building Positive Resilience
The Show Must Go On: The International Touring Programme at the NPG during the COVID19 Pandemic
In recent years the National Portrait Gallery, London (NPG) has embarked on an ambitious programme of international touring exhibitions. When the Covid-19 lockdown was announced in the UK in March 2020, one exhibition was in Dubai, another was partially installed at a UK venue, a third was part way through conservation preparation, and a fourth was under development. This talk will examine how the Conservation Department at the NPG dealt with the impact of the Covid-19 world pandemic on the international touring programme, focussing on two shows: Tudors to Windsors and Icons and Identities. The paper will cover:
Co-presented by Alexandra Gent ACR and Polly Saltmarsh ACR.
Session 4: Building Positive Resilience
3pm – 3.30pm BST, 16 June 2021 ‐ 30 mins
Session 4: Building Positive Resilience
Hosting a Lockdown Internship: A True Test of Resourcefulness, Adaptability and Collaboration
In November 2019 the British Library agreed to host an intern; the first time in collaboration with ICON, and I volunteered to undertake the supervision of this partnership and learning experience with high hopes. As you might expect, I planned to build her bench skills with a repertoire of treatments and decision-making on varied collection items, support her with training and model the all-important communication with stakeholders about treatment strategies and guide her through the intricacies of working for a national institution. Little did we know that the world- not only of conservation but everything that we knew- would be utterly changed in a matter of months. I’d like to take the opportunity to share with fellow ACR’s, the incredible working partnerships and creative approaches that we took, not only to deliver a useful and engaging experience to our emerging conservator, but to embrace the unknown and re-examine the traditional internship experience of which we are all familiar. We rebuilt it in the face of a lockdown of home-working and schooling, leaps in technology and social media and the rapidly changing role of the conservator as collaborator, project manager, innovator and problem-solver so that our intern could truly emerge ready for whatever the new workplace might offer.
Session 4: Building Positive Resilience
3.30pm – 4pm BST, 16 June 2021 ‐ 30 mins
Session 4: Building Positive Resilience
No bio provided
Siân helps people and businesses connect with what is important to them and realise their ambitions for a better, fairer world.
Siân has a unique perspective that comes from combining careers that look after the past (archivist and heritage professional) and the future (sustainability). Her work is founded on the power of purpose and the importance of context, big picture, engagement and stories.
Since 2017 Siân has been an advisor with The Purpose Business (Hong Kong and London) with clients among the top listed companies and forward-thinking organisations. Prior to this she worked in-house for BT Group focusing on sustainability communications. Her archive and heritage work has included International Council on Archives, BT, Guardian News and Media and the British Red Cross.
Find out more at ThinkWynn.com, and connect with Siân on LinkedIn, Twitter, Instagram and Clubhouse (@sian_wj).
Director, Codex Conservation
Ann-Marie studied Book & Paper Conservation at Camberwell College of Arts, graduating in 2001. After working as a freelance bookbinder and conservator, she worked for 7 years at the British Library, becoming an accredited member of Icon in 2007. In 2011 she set up a private workshop, Codex Conservation.Director, Sussex Conservation Consortium
Ian graduated from West Dean College of Arts and Conservation in 2011 with a distinction in Conservation Studies. From 2011 to 2016 he worked in the Conservation Department at Lambeth Palace Library before moving to work full-time at Sussex Conservation Consortium Ltd, which he set up with Ruth Stevens in 2013.Helen Hughes ACR is an internationally recognised leader in the field of Architectural Paint Research and Historic Interiors Research.
Previously the Head of Historic Interiors Research & Conservation Unit at English Heritage, she presently runs and owns Historic Interiors Research & Conservation (HIRC) which helps owners of historic interiors listen to the stories layers and layers of old paint have to tell. Helen presents practical options for managing change in historic buildings and sharing conservation decisions, and also provide workshops and training courses for communities, conservation students and heritage professionals. Selected papers are available for download on her web-site: www.helenhughes-hirc.com
Catherine Rees is a professional coach, facilitator and trainer, working with individuals, teams and organisations. She has worked primarily as a leader in education for over 20 years, including being a Headteacher of two schools in Devon. She specialises in strengthening the resilience and wellbeing of individuals and building positive and purposeful teams, in which everyone has a voice and is valued for the unique qualities and skills they bring.
Emily graduated from Camberwell College of Art in 1995 with a BA(HONS) in Paper Conservation – specialising in works of art on paper. Since then, she has worked as a Paper Conservator at Amgueddfa Cymru – National Museum Wales, State Records of NSW, Australia and Museum Conservation Services Ltd in Duxford.
In 2017 Emily set up her own studio and started working as a freelance Paper Conservator. Clients include private individuals with one-off objects to collectors and dealers needing repeat work undertaken. Emily has also worked for the National Trust and other public organisations, carrying out surveys and large-scale practical treatments.
Operating a busy private practice, Emily has to juggle the treatment of objects beginning with quotations with the day-to-day operational business development tasks such as website and online social media presence.
Having trained at West Dean, Peter became a freelance ceramic conservator/restorer in 1982 and has applied both his conservation skills and knowledge of ceramic history since this time. He has built longstanding working relationships, with clients from the public and private sectors, and has a national and international client base, with projects ranging from individual objects to whole collections, conservation surveys and redevelopment projects.
With skills ranging from the conservation and restoration of applied art objects, through to environment and project management, he has worked in both the Museum and private sectors in a freelance capacity.
Peter is a former winner of the Nigel Williams Prize (2014), for his joint project with Judy Pinkham ACR (National Museums of Wales) for the Conservation of Teresa Margoles’ ‘32 Aňos’.
With over 40 years of experience, he has seen developments and witnessed many of the changes in conservation and the way it is practiced over that time.
Head of Collections Care, National Library of Scotland
Julie Bon, ACR, joined the National Library of Scotland as Head of Collections Care in May 2019. She manages a team of Conservators, Technicians, Preservation Assistants, Registrar, Audit Officer and Interns based across two sites in Edinburgh. Qualifying with an MA Conservation of Historic Objects from the University of Lincoln in 2004, Julie held a number of project jobs before being appointed as a Regional Conservator for the National Trust for Scotland in 2006. In that role she delivered preventive conservation advice and project management across a number of historic properties and managed a nationwide project to deliver emergency response and salvage plans for over 50 historic sites with collections. She was accredited though Icon in 2013 and is a Accreditation mentor and assessor. She sits on Icon’s Accreditation Committee representing Conservation Management and Preventive Conservation and will begin a first term on the ARA Board later this year. She is a guest lecturer at the Centre for Textile Conservation at Glasgow University.Zoë Miller has worked at the British Library for 16 years, following completion of a Master's degree in Book Conservation at Camberwell, UAL and an internship at the American Museum of Natural History, New York. She has worked on manuscripts, printed collections and Eastern material among others, specialising in book conservation and now leads a conservation team who work across the BL's varied collection. In addition to developing and coaching interns and mentoring her team, she continues to carry out research to ensure best practice for the treatment of iron gall inks and develop techniques and decision-making in this complex area of conserving Library materials and to disseminate this to wider audiences.
No bio provided
Head of Collections Care, National Library of Scotland
Julie Bon, ACR, joined the National Library of Scotland as Head of Collections Care in May 2019. She manages a team of Conservators, Technicians, Preservation Assistants, Registrar, Audit Officer and Interns based across two sites in Edinburgh. Qualifying with an MA Conservation of Historic Objects from the University of Lincoln in 2004, Julie held a number of project jobs before being appointed as a Regional Conservator for the National Trust for Scotland in 2006. In that role she delivered preventive conservation advice and project management across a number of historic properties and managed a nationwide project to deliver emergency response and salvage plans for over 50 historic sites with collections. She was accredited though Icon in 2013 and is a Accreditation mentor and assessor. She sits on Icon’s Accreditation Committee representing Conservation Management and Preventive Conservation and will begin a first term on the ARA Board later this year. She is a guest lecturer at the Centre for Textile Conservation at Glasgow University.Maslow’s ‘needs must’ management during lockdown Wednesday @ 11:00 AM
No bio provided
Welcome and Introductions Tuesday @ 10:00 AM
Q&A, and Chair Conclusion Wednesday @ 3:30 PM
Having trained at West Dean, Peter became a freelance ceramic conservator/restorer in 1982 and has applied both his conservation skills and knowledge of ceramic history since this time. He has built longstanding working relationships, with clients from the public and private sectors, and has a national and international client base, with projects ranging from individual objects to whole collections, conservation surveys and redevelopment projects.
With skills ranging from the conservation and restoration of applied art objects, through to environment and project management, he has worked in both the Museum and private sectors in a freelance capacity.
Peter is a former winner of the Nigel Williams Prize (2014), for his joint project with Judy Pinkham ACR (National Museums of Wales) for the Conservation of Teresa Margoles’ ‘32 Aňos’.
With over 40 years of experience, he has seen developments and witnessed many of the changes in conservation and the way it is practiced over that time.
A Freelance Perspective: 2020, a curate's egg? Wednesday @ 10:30 AM
The Show Must Go On: The International Touring Programme at the NPG during the COVID19 Pandemic Wednesday @ 2:30 PM
Helen Hughes ACR is an internationally recognised leader in the field of Architectural Paint Research and Historic Interiors Research.
Previously the Head of Historic Interiors Research & Conservation Unit at English Heritage, she presently runs and owns Historic Interiors Research & Conservation (HIRC) which helps owners of historic interiors listen to the stories layers and layers of old paint have to tell. Helen presents practical options for managing change in historic buildings and sharing conservation decisions, and also provide workshops and training courses for communities, conservation students and heritage professionals. Selected papers are available for download on her web-site: www.helenhughes-hirc.com
‘Just walk away’ Tuesday @ 11:05 AM
Doing a Professional Doctorate: Motivation, Means and (mis)Management Wednesday @ 10:00 AM
Director, Codex Conservation
Ann-Marie studied Book & Paper Conservation at Camberwell College of Arts, graduating in 2001. After working as a freelance bookbinder and conservator, she worked for 7 years at the British Library, becoming an accredited member of Icon in 2007. In 2011 she set up a private workshop, Codex Conservation.Positive impact - Making a difference working together Tuesday @ 10:35 AM
Zoë Miller has worked at the British Library for 16 years, following completion of a Master's degree in Book Conservation at Camberwell, UAL and an internship at the American Museum of Natural History, New York. She has worked on manuscripts, printed collections and Eastern material among others, specialising in book conservation and now leads a conservation team who work across the BL's varied collection. In addition to developing and coaching interns and mentoring her team, she continues to carry out research to ensure best practice for the treatment of iron gall inks and develop techniques and decision-making in this complex area of conserving Library materials and to disseminate this to wider audiences.
Hosting a Lockdown Internship: A True Test of Resourcefulness, Adaptability and Collaboration Wednesday @ 3:00 PM
Emily graduated from Camberwell College of Art in 1995 with a BA(HONS) in Paper Conservation – specialising in works of art on paper. Since then, she has worked as a Paper Conservator at Amgueddfa Cymru – National Museum Wales, State Records of NSW, Australia and Museum Conservation Services Ltd in Duxford.
In 2017 Emily set up her own studio and started working as a freelance Paper Conservator. Clients include private individuals with one-off objects to collectors and dealers needing repeat work undertaken. Emily has also worked for the National Trust and other public organisations, carrying out surveys and large-scale practical treatments.
Operating a busy private practice, Emily has to juggle the treatment of objects beginning with quotations with the day-to-day operational business development tasks such as website and online social media presence.
A Freelance Perspective: 2020, a curate's egg? Wednesday @ 10:30 AM
Catherine Rees is a professional coach, facilitator and trainer, working with individuals, teams and organisations. She has worked primarily as a leader in education for over 20 years, including being a Headteacher of two schools in Devon. She specialises in strengthening the resilience and wellbeing of individuals and building positive and purposeful teams, in which everyone has a voice and is valued for the unique qualities and skills they bring.
Positive Thinking: Building Personal Resilience with Catherine Rees Tuesday @ 2:00 PM
The Show Must Go On: The International Touring Programme at the NPG during the COVID19 Pandemic Wednesday @ 2:30 PM
Talking Threads at the Pitt Rivers Museum: Community Engagement and Documentation in a Pandemic Wednesday @ 2:00 PM
Director, Sussex Conservation Consortium
Ian graduated from West Dean College of Arts and Conservation in 2011 with a distinction in Conservation Studies. From 2011 to 2016 he worked in the Conservation Department at Lambeth Palace Library before moving to work full-time at Sussex Conservation Consortium Ltd, which he set up with Ruth Stevens in 2013.Positive impact - Making a difference working together Tuesday @ 10:35 AM
Siân helps people and businesses connect with what is important to them and realise their ambitions for a better, fairer world.
Siân has a unique perspective that comes from combining careers that look after the past (archivist and heritage professional) and the future (sustainability). Her work is founded on the power of purpose and the importance of context, big picture, engagement and stories.
Since 2017 Siân has been an advisor with The Purpose Business (Hong Kong and London) with clients among the top listed companies and forward-thinking organisations. Prior to this she worked in-house for BT Group focusing on sustainability communications. Her archive and heritage work has included International Council on Archives, BT, Guardian News and Media and the British Red Cross.
Find out more at ThinkWynn.com, and connect with Siân on LinkedIn, Twitter, Instagram and Clubhouse (@sian_wj).
Keynote address: Siân Wynn-Jones Tuesday @ 10:15 AM