Siobhán Conyngham A-ICRI

Accredited freelance painting conservator

Siobhán Conyngham is a highly respected, accredited conservator with over forty years of experience, recognised for her expertise in the preservation of artworks across Ireland, the UK, and internationally. Her approach prioritises minimal intervention, ensuring all conservation work respects the artist’s original intent while safeguarding the artwork’s longevity.

A leader in the field, Siobhán provides expert guidance to museums, historic institutions, and private collectors. Her studio delivers conservation treatments to the highest museum standards, utilising reversible, conservation-grade materials. She undertakes large-scale projects, including collection surveys, loan reports, and virtual couriering, with a strong emphasis on sustainability and discretion.

Meticulous documentation underpins her practice, with comprehensive reports and photographic records accompanying all treatments. She collaborates with leading conservation scientists to advance best practices in the field.

Her distinguished portfolio includes work for The Tate Gallery, The National Trust, The Office of Public Works (Dublin Castle, Rathfarnham Castle, Kilkenny Castle), and Russborough House.

Condition surveys & treatment proposals

The studio provides comprehensive condition surveys for collections, exhibitions, loans, insurance and other purposes. Virtual couriering  services are also available to ensure the safe and efficient handling of artworks. 

Every painting undergoing conservation treatment begins with a thorough condition report derived from an initial viewing and a detailed studio examination, including technical analysis and further scientific testing if necessary. This foundational assessment informs the treatment options.

The treatment proposal will clearly outline each stage of the proposed conservation work, detailing the specific procedures involved and outlining options. It will also include an estimate of the time required to complete the treatment and an associated cost breakdown.

There is a strong emphasis on collaboration and working closely with clients to understand their needs and the specific challenges associated with their collections.

Conservation treatment, minimal intervention

The conservation treatment prioritises ethical practices and minimal intervention.

An example of this is a method for mending tears, as outlined by Winfried Heiber, and used by this studio which focuses on repairing the tear with minimal intervention, and mending the canvas threads under magnification, thereby minimising the area needing treatment.

Using reversible materials of conservation grade ensures that any treatments can easily be reversed.

Comprehensive documentation of processes through text, photographs and videos clarifies the methodologies and decisions made throughout the project and can serve as a valuable resource for future conservators and researchers. 

Consultancy and advice

The studio specialises in providing expert consultancy and guidance for art collections, focusing on all facets of painting care and preservation. By working closely with clients, the studio aims to identify practical solutions that ensure the long-term preservation of the artworks.

Sustainability

The studio is committed to sustainability, placing a strong emphasis on environmentally friendly materials and practices. Using sustainable resources is a priority. From sourcing recycled and biodegradable materials to implementing energy efficient processes our aim is to minimise our ecological footprint. 

The studio is a member of Gallery Climate Coalition.

Workshops

The studio's dedication to education is reflected in its commitment to offering workshops and training to share best practices in preservation and collection care, empowering institutions and individuals to protect their cultural heritage.

Biography

Siobhán Conyngham A-ICRI

Siobhán Conyngham A-ICRI

Siobhán Conyngham is a highly skilled painting conservator with a solid academic foundation in art history from University College London and practical training under Paul d'Aguilar at the Courtauld Institute. After earning accreditation from the Institute of Conservator-Restorers in Ireland in 2012, she has actively contributed to the field through mentoring and assessing accreditations, and participating in professional boards and committees. Dedicated to ongoing professional development, she keeps abreast of the latest advancements in conservation through organisations such as The Institute of Conservation, and her published work includes significant contributions like "Conservation of Two Large Paintings on Canvas - Minimal Intervention " in Conservation Activities Ireland II & IV.

Client testimonials

Siobhan has been our paintings conservator at Russborough over the last ten years. She came highly recommended by the National Gallery of Ireland, and it’s clear why. Her work is always thoughtful, precise, delivered on time, and to an incredible standard. We couldn’t recommend her more highly.

Pauline Swords
Head of Collections and Conservation, Russborough