I am a paper conservator with over 30 years of experience. For the past 15 years my two colleagues and I have run a very successful independent conservation business near Edinburgh.
The business, The Scottish Conservation Studio, treats textiles, artefacts and works on paper from institutions and private clients throughout and beyond Scotland. We also carry out surveys, deliver training, and give collection care advice. Please visit our website https://www.scottishconservationstudio.co.uk/ to see a wide range of examples of our work, CVs etc.
The drawing, which was damp from water ingress when brought to the Studio, was first dried, and then the superficial and recent mould growth cleaned off with a latex sponge.
The paper was separated from the acidic card backing, and then washed to reduce discolouration and acidity. This was followed by bleaching with a light bleaching lamp. The work was pressed, mounted and reframed before being returned to the client.