Library and Archive Conservator
Books and archives may spend most of their life untouched on a shelf. Alternatively, they may be accessed and referred to regularly. Any removal of a book from its shelf or a folded parchment document from its enclosure requires flexing it to find the required page or section. Whether this is regular or infrequent access, the object turns from static to dynamic, needing to open and flex. Having to adjust a book to different openings or the parchment document to a flat, viewable item, puts certain strains on any binding and substrate material, so understanding the care and preservation of books and archives is key to their longevity.
I am an accredited library and archive conservator based near Leyburn in North Yorkshire with extensive experience of both remedial conservation projects and preventive conservation. I initially trained as a bookbinder in 2005 and then continued my training and work placements in book and archives conservation in Cambridge.
I now run an independent conservation studio in Wensleydale and carry out interventive conservation on books, manuscripts and archives. I combine this work with supporting heritage institutions in all aspects of preventive conservation, including collection condition surveys, environmental monitoring, storage updates, exhibitions, advanced preparation for emergencies and developing overarching preservation policies.
Since 2018 and running my own library and archive conservation studio, I have carried out a wide variety of conservation projects including:
Teaching
I have taught on both the BA and MA Conservation and Cultural Heritage courses at University of Lincoln, as well as providing one-to-one training for volunteers, apprentices and conservators needing bespoke tuition.
Mentoring
I provide support for both conservation students and for emerging conservators within the Institute of Conservation (Icon) Acceditation Pathway.
Doctoral research
In February 2022 I began a part-time PhD with the University of Lincoln’s Centre of Conservation and Cultural Heritage, researching the development of book repair techniques and the book conservation profession from 1950 to 1999. The research methodology has included both library repair surveys (Queens’ College in Cambridge, Lincoln Cathedral libraries and the Trigge chained library in Grantham) as well oral-history interviews across the bookbinding and book conservation profession.
October 2021:
Online webinar for Society of Bookbinders
Brian Stagg (Custos) & Bridget Warrington – ‘The Trigge Library, St Wulfram’s Church, Grantham’
September 2022:
Archives and Records Association (UK & Ireland) 2022 Conference, Chester, UK
Victoria Stevens & Bridget Warrington - ‘Hidden treasures, in secret kept, in silence sealed’: the conservation and material analysis of two Early Modern manuscripts
April 2023:
Care and Conservation of Manuscripts 19, University of Copenhagen, Denmark
Bridget Warrington & James D Sargan – ‘The Castle Acre Processional: Assessing 15th-century oak boards and historical slip repairs using micro-CT scanning and carbon dating’. Postprint due April 2025.
May 2023:
Trigge Library Symposium, St Wulfram’s Church, Grantham, UK
‘Trigge Library – conservation approach’
June 2024:
Trigge Library Symposium, St Wulfram’s Church, Grantham, UK
‘Taking the Bull by the Horns: Conserving the Historia Animalium’
November 2024:
Durham University Symposium on Conservation Ethics and Decision-Making, Prior’s Hall, Durham Cathedral, UK
‘Conservation of historical repairs: assistance for decision-making when assessing and proposing treatments to books with a cumulative repair history’
Prior to conservation work: spine covering missing and the front board detached.
Conservation repairs to spine including support for spine panels, sewing structure and new endbands.
Conserved textblock rebacked with calfskin.
The limp vellum binding before conservation work.
Paper repairs to textblock prior to trimming.
Textblock sewn onto new alum-tawed skin supports and a primary endband sewn on a parchment support.
Alum-tawed skin ‘bonnet’ laced through the sewing supports.
The inventory in a new limp vellum binding.
The manuscript prior to conservation work.
Inside the front board revealing the broken-down sewing structure.
Manuscript in an appropriate binding for display within its original boards and cover for Norwich Castle’s refurbished Castle Keep exhibition.
Tears and loss to pages with large woodcut illustrations.
Paper repairs to the textblock prior to trimming.
Completed repairs to pages with large woodcut illustrations.
Having trained as a bookbinder at the London College of Printing, I started my conservation career in 2005 working for the Churchill Archive Centre at Churchill College in Cambridge.
In 2013 I moved to the Cambridge Colleges’ Conservation Consortium based at Corpus Christi College, Cambridge, initially as Book and Manuscript Conservator and then in 2014 taking on the lead role as Head of Conservation.
In 2018 I set up my own conservation studio in Girton, Cambridge and then in 2021 moved the studio to the Yorkshire Dales.
Bridget was recommended to me, and after initial discussions she prepared a proposal to carry out the necessary work on two books from the collection. Bridget was duly commissioned to do this, and the results have been excellent. My colleagues and I have been most impressed by the breadth of Bridget’s knowledge in this highly specialised field, her meticulous attention to detail and the skill she has demonstrated in achieving the desired outcomes. We were kept informed of the progress at all stages through a series of illustrated reports, which now form part of our Library archive.
Brian Stagg
Custos, Trigge Library, St Wulfram’s Church, Grantham
We have used Bridget for several projects since she became independent. One particularly challenging project is a donor-funded, high-specification conservation of a volume of 16th century inventories which was bound in a vellum wallet-with-tab-and-slit style cover. The cover has shrunk, and the volume needed rebinding. A lot of thought has been done on how much to preserve the look and feel of the original. Of course, we will retain the original cover, but Bridget has suggested some measures that will best serve the object while also retaining its ancient character.
Patricia McGuire
Archivist, King’s College, Cambridge
Bridget’s expertise helped shape our National Manuscript Conservation Trust manuscript project Saving Norfolk’s Medieval Manuscripts, Norwich Castle: Gateway to Medieval England. Her contacts for analysis helped apply a sound scientific approach to the treatment methodology which have also fed into wider research projects. Bridget provided options for our project team to consider. Her progress reports and explanations when we were unsure or unconvinced about a certain method or procedure were incredibly helpful. I really appreciate her patience and the time she gave on this. Bridget’s project management and organisation skills are faultless.
Debbie Harris ACR
Senior Conservator, Norfolk Museums Service