A talk by Carmen Vida on Re-Entanglements: conserving a colonial collection in a decolonial multidisciplinary research project
Re-Entanglements is a core part of the Museum Affordances Research Project, focused on revisiting and re-engaging with the remarkable ethnographic archive assembled between 1909 and 1915 by the colonial anthropologist Northcote W. Thomas in southern Nigeria and Sierra Leone. The project approaches the archive from a creative and multidisciplinary perspective to reactivate and decolonise it, by both understanding the historical context in which it was gathered, and by examining its significance in the present in different and sometimes experimental ways.
In this talk Carmen will present her work as the UCL’s project conservator, getting objects ready for exhibition, and working within a multidisciplinary agenda and with varied groups that included artists, youth groups, conservation students, other project partners and researchers, origin and diaspora communities and, unfortunately, COVID. She will explore what she thinks conservation can afford to multidisciplinary projects such as this, as well as some of her own evolution as a conservator as a result of her involvement in the project and of trying to find ways in which to address the colonial past of objects in World Collections.
The talk will be followed by a Q&A session.
Sculpture conservator, Victoria and Albert Museum in London
Carmen Vida trained in Conservation at UCL where she graduated in 2013 after completing internships in the Organics Conservation section of the British Museum and in the Museum of London. She is currently Objects (Organics) Conservator at the Victoria and Albert Museum, where she is working on the Museum of Childhood redevelopment and collections. Previous work includes the Cambridge Museum of Archaeology and Anthropology, the Knole Conservation Studio (National Trust) where she was the Objects and Decorative Surfaces Conservator, and UCL. She has taught and supervised MSc conservation students at UCL and volunteered in conservation projects in Sarajevo and Kosovo. Carmen describes herself as an “objects conservator with a particular affinity for organic and complex multi-layered objects, and an interest in storytelling and anything that communicates conservation”. She is happy to work across a variety of materials, both organic and inorganic, and on painted and decorative surfaces. Her past work has included world cultures objects from Africa, Asia, and the Pacific areas, as well as social history and archaeological collections.