Specialising in Ceramics, Glass and Preventive conservation across Ireland and the UK
As the only accredited ceramics and glass conservator in Ireland, Claire is recognised internationally for delivering museum-standard conservation projects across the UK and Ireland.
Her expertise encompasses both practical conservation—cleaning, reconstruction, and retouching—and preventive care, including audits, risk assessments, and strategic collection care planning. She also leads complex heritage projects, coordinating multidisciplinary teams and embedding conservation principles into design and delivery. Her approach combines collaboration, creativity, and pragmatic problem-solving.
Claire’s portfolio includes landmark initiatives such as the Mount Stewart Renaissance Building Project, the Congress of Vienna Chairs Project, and high-profile art installations including Artificial Sunshine at The Argory. Alongside her role as Regional Conservator for the National Trust in Northern Ireland, she operates a successful private practice, serving collectors, museums, and historic houses such as the Duke of Abercorn, FE McWilliam Gallery, and Dublin Castle.
Committed to advancing the profession, Claire trains conservation teams nationwide, supports PACR accreditation, and contributes actively to ICON and ICRI. She collaborates internationally and engages with leading conferences to remain at the forefront of conservation practice.
Restoring a rare 17th-century stoneware Griffin jardinière, focusing on its intricate details. The treatment included remodelling the front paw and wing, sculpting wax reliefs, and creating plaster casts using moulding techniques. Final touches involved minimal, reversible acrylic retouching to respect the original craftsmanship and preserve its historic character.
The project saw Mount Stewart’s Central Hall restored to its former glory—removing modern flooring, completing the house’s transformation, and capturing the true spirit of Edith, Lady Londonderry. The project helped develop specialist skills, engage local trades, strengthen donor relationships, and showcase outstanding results to inspire future fundraising.
Restoring a rare oversized Victorian mirror celebrating Lyle & Kinahan Ltd, smashed as a consequence of enthusiastic horseplay. Located in the Cathedral Quarter, access wa challenging—requiring careful coordination with local businesses. Professional art handlers, specialist packing, and secure transport ensure safe removal and delivery to the studio for full conservation.
Conserving around 25 plaster maquettes by Frederick Edward McWilliam, born in Banbridge in 1909 and a contemporary of Henry Moore. These preparatory works for bronze sculptures reveal every stage of creation—from wire armature to sculpted plaster—offering a fascinating insight into one of Britain’s most influential modern sculptors.
I deliver training that equips teams to care for collections and clean them safely, plan and respond to emergencies, manage environments and pests, and reduce risks during events or filming in heritage spaces. It’s practical, hands-on, and focused on protecting historic objects and interiors for the future.
Over the last 15 years, Claire has conserved a number of maquettes and master models from our permanent collection. Claire’s work is research based and conducted in line with the best practice standards required for an accredited museum. She consults with her clients at all stages of the conservation process and, when necessary, seeks support from her extensive network of colleagues throughout the UK. I would highly recommend Claire’s services.
I highly recommend Claire Magill as an outstanding conservator. Her work on the 17th-century Stoneware Griffin and plaster busts was completed to the highest professional standards. Claire operates with strict ethical principles, providing honest appraisals and well-considered options before starting any project. She also delivered preventive conservation advice and trained the Baronscourt team in collection care. Claire is professional, sensitive, and exceptionally skilled—an asset to any heritage or conservation project.
Claire is an outstanding conservator whose 18 year contribution to the National Trust has been invaluable. As Regional Conservator, she guides and trains more than forty house team members and five General Managers, ensuring exemplary standards of collections care. A key member of the Country Specialist team, she brings strategic insight and leadership that balances conservation and access whilst maximising public benefit. Claire’s unwavering dedication and expertise make her a trusted leader in preventive conservation.