Ensuring historic buildings in our care are well managed and maintained, based on sound procedures and expert advice.
My practice is committed to ensure that monuments and historic buildings of cultural value are well managed and maintained, based on sound procedures and good advice. I always aim to set the highest standards in conservation and to be an example to many owners of such property.
I have well over thirty years’ experience as a conservation mason working within Northumberland and Cumbria. My main area of discipline is to focus on the application of traditional finishes. I do this by carefully studying the building fabric, often buildings reveal their secrets if you look closely, evidence of historic materials and methods remain visible even after hundreds of years.
I produce written reports, specifications and methodology based on the information I have gathered, including analysing materials and providing samples which replicate the texture and colour of the historic coatings previously applied.
I have also carried out extensive research and my own lime mortar trials to measure capillarity and drying rates. This research has enabled me to build up a selection of mortars which play very different roles in preserving historic building fabric. There is a great need to be able to understand the functional aspects of the building and the geographical environment in which it stands before considering any application.
Recognising the type of issues and decay at an early stage is vital, salts, freeze/thaw, pollution, oxidisation of adjacent materials, wind erosion, structural defects and past inappropriate repair work are some of the likely causes of stone decay. I never copy and paste specifications and methods from one project to another because every situation is different. Instead, I carefully study the building to reveal the problems for which I prescribe the correct materials and methods from the information gathered. Analysis of materials are usually required to replicate historic lime coatings and finishes. Often buildings reveal their secrets if you look closely, evidence of historic materials and methods remain visible even after hundreds of years. I have also carried out extensive research in lime mortars which has enabled me to create a selection of mortars which play very different roles in preserving historic building fabric.
I have always had a passion for training future generations of masons and professionals alike. I have carried out many skills days as part of grant-aided funding for masonry projects.
I’ve also worked with organisations such as the National Heritage Training Group, local authorities and colleges.
In 2008 I joined the Orton Trust where I taught Banker Masonry for ten years before it closed in 2018.
I can work freelance to oversee/supervise masonry conservation works on site and actively train staff to ensure high levels of workmanship.
All treatments are based around minimum intervention and are only carried out after careful assessment of the defects and causes of decay. My specifications and methodology reflect the not only the causes of decay but, consider the building detailing and the environment. Materials should match the existing as close as possible but also may need to consider other environmental changes that did not exist at the time of the original construction.
My treatments mainly include the reversal of inappropriate repairs, mainly cement pointing and renders which have previously been applied to the detriment of the building fabric. Cement needs to be carefully removed so as not to damage the substrate, the repointing, harling, rendering and limewashing can then be applied to the substrate to protect the building as intended. Successful consolidation also relies on the packing out of wide joints with stone pinning’s and cuts down on mortar usage which in turn reduces shrinkage. Well consolidated masonry, containing no voids, will transport water from the core of the wall to the surface, removing harmful salts and keep the building dry.
Most historic buildings are in various states of decline, some by previous inappropriate repair schemes and others left to suffer the effects of nature through an antiquity of wear and ceased to function as was intended.
It is good practice to consider all options of repair. However, the choice should be the one with the least visual impact. In the past, when stones have been replaced with new sawn ashlar, it has sometimes been carried out unnecessarily and can be unsightly if the building or structure shows excessive wear.
Other methods, including mortar repair or, the reconstruction of the core work, instead of new stone replacements, is very effective if done by experienced masons. Core work will also help to stabilise the surrounding stones and blend in much better with historic structures.
It may be reasonable however, to replace a carving of a new hoodmould or put back an element of architectural detailing with new stone. This type of repair helps to preserve craft skill and will also help to preserve the architecture of certain elements. The most often repeated phrase in conservation must be ‘conserve as found with minimum intervention'. If a decision has been taken to replace a stone, it should have been on the basis that there was no other possible option.
St. Michael's and All Angels Church in Felton, Northumberland underwent a project to conserve and restore two windows on its west elevation. Initially, concerns were raised by a local architect about the structural stability of the tracery, prompting consideration of window tracery replacement and the addition of a new hoodmould. However, upon closer inspection, I found that previous cement mortar repairs had accelerated stone decay.
It was determined that no new stone was needed, and concerns about adding a new hoodmould were dismissed since the stone decay was attributed to previous repairs rather than a lack of a hoodmould. The project prioritized minimal intervention to preserve the historic fabric of the church, with a focus on mortar repairs. Lime mortar was used to restore the architecture to the window tracery; lime mortar also allows the passing of moisture and can be matched to the surrounding stone.
Leven’s Hall Cumbria is a grade I Elizabethan Mansion built around a 13th Century Pele (North) Tower and privately owned by the Bagot family. The Hall has suffered over the years due to trapped moisture within the building fabric which has caused damp to penetrate internally. This is due to the hard cement render that had been applied to the external masonry walls some years previously to combat the harsh weather conditions within this geographical area of the UK.
The cement and the issues with trapped moisture within the building fabric required a mortar which was breathable but also durable. Mortars are breathable due to capillary action, providing the capillary pour structure is of the correct size throughout the mortar mix, unlike cement which has a very narrow and dense capillary structure. Capillary action will help a building to dry out from the inside-out but, the reverse is also true, because moisture can also equally enter from the outside-in.
The methods of work involved the removal of the existing cement pointing and render from the masonry, repointing and consolidation of the joints and beds between the stones, including pinning the joints and beds of the masonry with small pieces of limestone, then a traditional Lime Harl and limewash to finish was applied on top to recreate the traditional styling of the property.
St. Hellen’s Church, a Grade I listed 11th/12th‑century building, had long suffered from water ingress, salt damage, and inappropriate cement pointing that trapped moisture and weakened the stone. After the roof was replaced, a detailed survey revealed original hot‑lime mortars, which were carefully replicated using traditional methods. The Nave and Tower were repointed, harled, and limewashed, reinstating historic finishes that protect the stone, improve breathability, and help the masonry dry.
Masonry Bees can attack soft crumbling stone which has decayed due to poor repair intervention in the past, often with cement. Sometimes stone replacement is the only answer however, if the decay has not accelerated to the point in which the stone needs replacing, which would be expensive, it can be repaired with traditional lime mortar.
I slake all my own breathable mortars with natural reversable materials, I can colour match any mortar to the host masonry and, add texture so that the repair is seamless.
The church spire was suffering from masonry decay due to the hard cement pointing that was carried out in the past. The cement was trapping moisture within the building fabric and the masonry was allowing water into the building. The cement mortar was carefully removed, and we repointed the structure with a traditional slaked lime mortar mix, the masonry to the spire can now breath and it has dried out considerably, just in time before the winter months.
In 2020 I carried out over thirty mortar trials to develop mixes suitable for the varied climates of the Northeast and Northwest, where moisture, frost and salt create major risks for lime work. Understanding how buildings function in their environment was essential to specifying mortars that could cope with saturation, salt cycles and high‑level exposed areas.
My trials tested air limes, NHLs and hybrid mortars to find mixes with good capillarity and durability for historic masonry. I developed breathable mortars that naturally resist freeze–thaw cycles, using different aggregates, pozzolans and binders. A full report documents how each component affects the performance and preservation of traditional buildings.
The church is a historically significant grade I listed building, the church warden sought advice for repairing its North elevation tracery and the surrounding stone which housed a stained leaded glass window. An inspection revealed crumbling stone and safety concerns due to fallen debris. The stone's decay, exacerbated by cement pointing, was noted, as was damage to the stained-glass window.
Options for repair focused on mortar repairs due to the superficial damage, eliminating the need for stone replacement which would have been expensive. A colour-matched, feebly hydraulic lime mortar mix was developed to withstand external conditions while allowing moisture to pass. This minimal intervention approach simplified the repair strategy, preserving historic fabric and reducing costs for the client. The repairs were designed to be reversible, acting sacrificially to the host stone.
Through hard work and determination, I have helped, as part of a wider project conservation team, to successfully remove five heritage sites from Historic England’s At-Risk Register.
I have an in-depth knowledge of masonry conservation, a high degree of competence, sound judgement and a deep understanding of the principles which underpin my practice.
Most importantly, I remain committed to ensuring all historic monuments and buildings in my care are maintained using conservation principles, sound judgement and ethics which have been developed throughout my career.