I have had a keen interest in history since a very early age and was fortunate to go into a profession which has brought me into contact with material I would never otherwise have seen. Visiting Record Offices around the country has provided a fascinating insight into the varying types of material to be found in the different regions. It is always a source of great pleasure to take away a document which is too fragile for researchers to handle and to return it in a condition where it becomes available for general study.
Similarly when visiting some of the great houses to collect work, seeing rooms not generally available for public viewing has been a pleasure and a "private tour" is often full of fascinating detail.
For more than twenty years this has been a family business with my three sons all joining and learning the various skills I could pass on to them. They also spent time with conservators in local Record Offices and acquired further expertise in areas of particular interest to them.
Training
October 1970 - June 1973 - City and Guilds Course at Southampton Art College in Bookbinding and Advanced Craft Bookbinding - all examinations passed. Tutor was Mr D. Etherington, afterwards Head of Bookbinding at the Library of Congress, Washington, USA. Subjects included leather and vellum work, gold-leaf tooling and edge gilding.
October 1970 - June 1975 - In-house training in conservation at Southampton City Record Office under Mr G. Wilson (formerly of Public Record Office)
May 1975 - May 1975 - Course in Seal Conservation at the Public Record Office, Chancery Lane with Mr P. Bynge, Head of Seal Conservation Dept.
Work History
October 1970 - June 1975 - Assistant Conservation Officer at Southampton City Record Office
June 1975 - March 1981 - Senior Conservation Officer at Southampton City Record Office
April 1981 - June 1987 - Part-time lecturer in Bookbinding and Book Conservation at Southampton Art College (now Southampton Solent University).
March 1981 - Present - Freelance conservator of books and archives
Since 2008, we've managed the Cecil Papers project from Hatfield House. This involves treating and re-housing over 30,000 manuscript letters from William Cecil, Lord Burghley, and his son Robert Cecil. The collection also features letters from Queen Elizabeth I and Sir Walter Raleigh, covering historical events like the execution of Mary, Queen of Scots, and intelligence on the Gunpowder Plot.
This project for the Royal Marines consisted of combining two badly damaged photograph albums into one new album. There were many loose pages and extensive damage to the page edges as well as loose material and damaged photographs.