Penny Jenkins Conservation is a dedicated independent studio, established in 1982 and relocated in 2002, specializing in the conservation and restoration of works of art on paper. My expertise spans from the 16th century to the present day, with a particular focus on Western European Prints, Drawings, and Watercolours. I have the privilege of working with both private collectors and smaller public collections, providing meticulous care for their treasured artworks.
As an Accredited Paper Conservator (ACR) and a member of the British Association of Paper Historians (BAPH), I am committed to upholding the highest standards in the field. Visits to the studio are by appointment only.
Training & Experience
My journey in paper conservation began with a comprehensive Diploma in Paper Conservation from Camberwell School of Arts (1979-1982). This intensive three-year program provided a robust foundation in paper making, paper chemistry, and practical conservation treatments, alongside in-depth studies of book and paper artifacts, print-making techniques, and art history. I also gained valuable skills in box making and tool usage.
Prior to establishing my independent studio in 1982, I honed my skills through diverse experiences:
1979-1982: Restorer and Conservator of prints on paper at Dixon Print Dealers, Oxford, where I gained full-time practical experience.
1982: Toured USA conservation studios, expanding my knowledge and perspective.
1978-1979: Junior Assistant to the Watercolour Department at Christie's South Kensington auction house, London.
1976-1978: Gallery Assistant at a dealer in Cambridge during student holidays.
Nicholson, Ben. Etching.
David Loggan architectural prints. 17th & 18th engravings on fine printing papers, with historical wear and tear.
Watercolours. 18th – 20th Century. Examples of light and framing damage. Preventative and practical conservation