Network Steering Group

Her areas of interest and research are focused on the replication, re-enactment and activation of artworks and working in collaboration with artists and artist estates, leading to a range of publications. Her current area of research is on performance-based artworks considering issues of institutional memory, iterations and the challenge of evolving practice.

She has a wide breadth of experience of collections and material types, with a keen interest in modern materials and their use and constructs with contemporary art. She currently manages the Sculpture and Installations Conservation team where her focus is on the Hepworth studio, garden and summer house, managing hazardous materials within collections and storage of artworks with a plastic component.

He holds a Master's degree in Art History and a Certificate in Conservation from the Institute of Fine Arts at NYU where he graduated in 2014. He has worked as a contract conservator for time-based media artworks at the Smithsonian American Art Museum, and was a Samuel H. Kress Fellow in Time-Based Media Conservation at the Solomon R. Guggenheim Museum. He is currently pursuing a doctoral degree at the University of Glasgow within the research program "New Approaches in the Conservation of Contemporary Art" (NACCA), a Marie Skłodowska-Curie Innovative Training Network. His doctoral research examines notions of artwork identity, authenticity, persistence, and change through a lens of ontological and poststructuralist discourse.

She is currently working as a paintings conservator at Tate Britain. Amy has a particular interest in the work of Anselm Kiefer and has published research into his materials and techniques.​

Her master's thesis focused on the ethics of replacing components in technological artworks. Additionally, she conducted research into the use of photogrammetry for documenting large outdoor sculpture.