This virtual seminar (the first in a series* of 4 virtual seminars on the History and Identification of Pigments to be offered in October) discusses the pigments used in painting from prehistoric times until the early 18th century, looking at their chemistries, sources and production methods.
The palettes discussed will be broadly divided into Prehistory, Antiquity, Medieval and post-Medieval to c.1704 with the significant introduction of Prussian blue. Both natural pigments such as ochres, carbon blacks, azurite, malachite, chalk, orpiment and cinnabar, and synthetic pigments such as lead white, verdigris, vermilion, red lakes and lead tin yellow will be covered.
(Other pigments introduced from the 18th century onwards will be discussed in an IAP Virtual seminar on 9th October, and seminars on 16th and 23rd October will discuss the Identification of Pigments).
*This series of seminars is intended to appeal to all conservators and others who would like to refresh their knowledge on the subject and also to students of conservation.
