Looking closer at Paulus Potter's 17th century masterpiece, "The Bull", and the problems of change.
Conservators Abbie Vandivere and Jolijn Schilder will present the turbulent history, visual and chemical changes, and treatment of the largest 17th-century painting in the Mauritshuis: The Bull by Paulus Potter (1647). They will address questions like:
- Why and how did Potter make so many changes as he developed his composition of the “ideal” bull?
- Why was the sky so broadly overpainted during previous treatments, and how do we deal with this during the restoration?
- Should later additions remain visible or be covered at the retouching stage?
- What steps did we follow to restore a large painting in front of the museum public, and what advice do we have for conservators facing similar challenges?
For more information about the project:
https://www.mauritshuis.nl/en/what-s-on/exhibitions/a-peek-at-potter
The scientific research was carried out in cooperation with the Rijksmuseum, the Cultural Heritage Agency of the Netherlands, and the National Gallery of Ireland (NGI). A previous ICON lecture (Uncovering a Lost Masterpiece: The hidden story behind Paulus Potter’s The Abduction of Europa) focused on a related painting in the NGI collection.
Paintings Conservator
Jolijn Schilder obtained a BA from the University of Amsterdam (2017) and a MSc in paintings conservation from the same university (2019). Alongside her work on The Bull in the Mauritshuis, she also works as a private conservator. She was awarded the Museum Talent Prize of the Netherlands in 2024.Paintings Conservator
Abbie Vandivere has worked as a paintings conservator at the Mauritshuis since 2015. She graduated with a BA from Princeton University (USA, 2001), a Pg. Dip. Cons. from the Courtauld Institute of Art (UK, 2005), and a PhD from the University of Amsterdam (2013). In 2018, Abbie was the head researcher to examine Vermeer’s Girl with a Pearl Earring. |