|Current HLF/EFP Interns|
Interns currently in placements:
Marta Garcia Celma commenced her one year Icon internship in Photographic materials, Paper and Preventive conservation at the Royal Commission on the Ancient and Historical Monuments of Scotland in April, 2014. For the duration of her placement she will be involved in Paper and Photographic Conservation two days per week, in Preventive Conservation for other two days and in professional development the remaining one. Marta will have the opportunity to attend different workshops in the Conservation of Photographs and Pest Management amongst others as well as the chance of visiting other institutions and studios to further develop her skills.
After her degree in Fine Arts (2005- 2009, University of Barcelona, Spain) followed by a specialization in Photographs, (2010, WDKA, Rotterdam. The Netherlands) Marta joined the two year MA Conservation program at Camberwell College of Arts, (2011, London, UK) where she specialised in Paper Conservation. Simultaneously she took place in volunteer programs at the Museum of London, V&A and Wellcome Trust and worked briefly for TNA. Meanwhile, Marta has been attending a broad number of conferences and workshops in conservation of photographic materials including “AIC & ICOM –CC Photographers Conservation Joint Meeting” NZ 2013; “Preservation of Photographic Collections” by Debra Hess Norris or “Introduction to the history, identification and preservation of 20th c. colour photographic materials”, “Contemporary photography: techniques and preservation” by Sylvie Penichon.
Marta greatly enjoys chatting about ethics and standards. Through the Internship she would like to open her network in conservation, as well as gain experience within salvage plans and obtain the confidence needed to work without supervision and collaborate actively in the conservation field.
Giorgia Genco started her one year Icon internship in book collection care with Caroline Bendix at the end of April 2014. She will have the opportunity to work in a wide variety of projects around UK as her supervisor is a freelance and adviser for the NT and NADFAS. She will be involved in surveys, conservation in-situ treatments, environment – preventive conservation, packing and moving, books and shelving assessment, handling and security projects with several institutes, national conservation bodies and private collections. As part of the internship activities she will learn about volunteers training and she will manage a group in a cleaning project. Giorgia will have the opportunity to work with other professionals and to attend several workshops like bookbinding structure and mould management. In order to improve her skills she will also have the chance to do a short exchange with other intern and visit other institutes and conservation laboratories.
After a bachelor degree in Conservation Science at the University of Tuscia in Viterbo, where she studied diagnostic for cultural heritage, she decided to attend a MA in Conservation of Book and paper materials at the University of Palermo. Through these years she had the opportunity to do experiences in several subjects from archaeological survey to environmental measurements, but her first interested is in book conservation. She did an internship of one year in a laboratory of book and archive conservation that gave her the opportunity to improve her skills by working on individual items.
Through this internship Giorgia wants to improve her skills and knowledge in preventive conservation and in book collections care and she wants to gain more experience in order to become a full-rounded book conservator. She would like to build her future network in conservation and learning all about the business aspect of running a career as a book conservator.
Giorgia would like to thank you the Icon and HLF for this great opportunity as well as her supervisor for the wonderful work oportunities she offered!
After completing a BA in Ancient History at Cardiff University I went on to study the MA in the Conservation of Archaeological and Museum Objects at Durham University. This two year course gave me the skills to work as an archaeological and museum conservator, including researching, analysing, cleaning, preserving, and caring for a broad range of objects. The first year of the course was spent at university with a mix of theoretical lectures and practical work and the second year was a professional placement which I undertook at the National Museum of Wales in the archaeological conservation laboratory. I graduated equipped with a sound knowledge and critical understanding of current professional principles, good practice and contemporary debates in conservation but felt there was so much more for me to learn. I volunteered at two National Trust properties and at the Birmingham Museum and Art Gallery for several months following graduation and was delighted to be offered the ICON internship in Preventive Conservation at the Norfolk Museums Service. This is a great opportunity for me to put all my past experience into practice.
During my internship I will be focusing on building up my museum experience in the hope of becoming a respected conservation professional. In the seven weeks since the start of my internship, I have been involved with:
two temporary exhibitions de-installs preparing objects for temporary loans dealing with an IPM emergency developing an IPM plan for the Norwich Castle Museum “The Wonder of Birds” exhibition undertaking remedial conservation work on taxidermy bird specimens and silver vervels I have also attended the “Bright Ideas: new developments in museum lighting”, a conference run by the Museums Association in London to keep me up to date with lighting within the museums sector. I will disseminate this information to my colleagues in conservation and in display.
Come December, I will go on the emergency planning and practical salvage course to gain a better understanding of how to deal with any emergency within the heritage sector.
I plan to visit my fellow preventive conservator interns this summer to gain an understanding of how preventive conservation is run in other institutions and in relation to different collections.
Natalie Brown began her one year internship, specialising in Library materials at the National Library of Scotland in April, 2014. Over the course of the internship Natalie will have the opportunity to undertake practical conservation on a wide variety of collection items, preservation management, disaster preparation, exhibition work and couriering, as well as developing new treatment methodologies and consulting with other organisations to update the library’s policies and procedures. During the internship Natalie will also have the opportunity to become involved in conservation outreach and skill sharing workshops.
Joanna began an internship in Preventive Conservation at the Horniman Museum and Gardens at the end of April 2014. Having formerly worked in theatre as a Stage Manager Joanna re-trained and graduated from London Metropolitan University with a BSc (Hons) Conservation and Restoration in 2009. During her time at London Metropolitan University Joanna volunteered at the Old Operating Theatre Museum. Upon graduating she worked as a Project Conservator at the Science Museum. After this, Joanna undertook a volunteer placement in Preventive Conservation at the Horniman Museum and it was during this time that an interest in Preventive Conservation was sparked. Joanna then completed a Project Conservator role at the Horniman before moving on to a short term contract at the British Library in Preventive Conservation. Joanna has been working towards her MA Conservation of Historic Objects at the University of Lincoln by distance learning which she finishes this year.
Furniture Conservation Intern – Tankerdale Ltd.
With an interest in technical art history, having previously studied History of Art at the University if York, I chose to study Conservation at City & Guilds of London Art School (C&G). Studying at York, I had the chance to work at Castle Howard which gave me an insight into the day to day running of an important historic house. Whilst at C&G, I developed an interest in painted wood and decided to focus on the conservation of polychrome objects. Since graduating, I have gained experience working on polychrome sculpture at SRAL, Maastricht in Holland, at IRPA in Brussels and latterly at the CRRCOA in Vesoul, France. My travels have enabled me to work with inspiring colleagues on polychrome religious sculpture and painted surfaces in Europe.
Textiles Conservation - Textile Conservation Ltd.
Researching historic textiles for my Art and Design Foundation course in 2009 opened my eyes to textile conservation as a career.
Costume Mounting - Manchester City Galleries.
After graduating from my degree in Embroidery at Manchester Metropolitan University and volunteering to work on the costume collection at Touchstones Arts and Heritage Centre, I have started a two year internship with the Manchester City Galleries as a Costume Mounting Technician.
The process of mounting each costume presents a unique task of preventative conservation.
During my internship so far I have gained the experience of mounting and assisting with the install of two costume exhibitions ‘Cotton Couture’ at Manchester Art Gallery and ‘Something Blue: Wedding Dresses 1914 – 2014’ at Platt Hall.
Preventive Conservation - Westminster Abbey.
Lewis started her internship at Westminster Abbey at the beginning of October this year and has already had a chance to develop her Preventive Conservation skills. The Conservation Housekeeping schedule has been handed over to Lewis for the duration of her Internship, which involves daily and weekly cleaning of some of the most important monuments and areas of the Abbey, including the Cosmati Pavement and the Chapel of Edward the Confessor.
Lewis also had a chance to work with the Conservation Department during the annual re-waxing of the Grave of the Unknown Warrior, which was carried out in preparation for Remembrance Day. Amongst other things, Lewis will be carrying out a condition survey of the monuments in the Great Cloister, and assisting the conservators with dust monitoring and Integrated Pest Management.
The vast range of materials and objects which make up the Abbey’s collection offer Lewis an incredible opportunity to develop her knowledge, understanding and experience of Preventive Conservation. Lewis is very grateful to HLF for making this Internship possible, and to ICON for facilitating the process. It is a great privilege for her to have such an extended experience of work in Westminster Abbey.
Lewis would also like to thank QEST, the J Paul Getty Trust, and the Worshipful Company of Tallow Chandlers for their support throughout her conservation training.
Having graduated from Heriot-Watt University, Edinburgh with a BSc (Hons) in Chemistry, Keeley became interested in conservation, and followed this up with a Masters in Preventive Conservation from Northumbria. Looking to build on her theoretical knowledge, Keeley is working with the National Trust for Scotland in their many historic properties.
She will have the opportunity to take part in the annual deep cleaning of the houses, as well as undertaking the Pest Management Schemes and writing conservation cleaning plans for some of the properties. Keeley has already had the opportunity to work alongside accredited conservators as part of projects like the cleaning of the Falkland Palace tapestries, and the variety and range of objects that the Trust has in its collections means that Keeley will have the prospect of building up a thorough understanding of the different challenges presented by working in a Historic House environment.
This internship is the ideal opportunity for Keeley to develop her skills as a conservator, and to integrate her scientific background into the conservation work being undertaken. She hopes to experience a full spectrum of preventive conservation and collections care activities that she can use in her further professional development.
Sarai Vardi - Conservation of Books and Archival Material - The Leather Conservation Centre
Sarai began her internship at the Leather Conservation Centre in October and has already had the opportunity to work on a wide range of books and archival material, including a 16th century embroidered textile covered manuscript and a collection of large leather bindings. At the LCC, Sarai also gets the chance to expand her skill set by working on objects 1.5 days a week and has recently completed the full conservation treatment of a leather box bag.
After a brief career as an illustrator, Sarai re-trained on the Conservation MA at Camberwell College of Arts specialising in book conservation. She has undertaken work placements at the College of Arms, Wellcome Trust, Book and Archive Conservation Services, the Warburg Institute, The Book and Paper Studio and UCL Special Collections, and most recently worked on a short term project for the Scottish Conservation Studio prior to starting at the LCC.
Throughout her internship, Sarai hopes to continue to develop her practical skills through working on a range of different material. She also looks forward to gaining a better understanding of the production, deterioration and conservation of leather in particular, and learning more about the business aspect of running a private studio.
Sarai would like to thank the HLF and Icon for this opportunity, as well as QEST and The Clothworkers’ Foundation for their support throughout her conservation training.
Photo ©Historic Royal Palaces
Zoë Lanceley - Historic Royal Palaces
After graduating from my first degree (BA Embroidery at Manchester Metropolitan University) I was lucky enough to get a job as a conservation technician at the Whitworth Art Gallery. This was a fantastic introduction into the world of conservation and I got to work on many exciting exhibitions over my five years there. This led me onto working as a costume mounting specialist at the Victoria and Albert Museum, and eventually to studying MPhil Textile Conservation at the University of Glasgow, where I recently graduated. During my time at Glasgow I also completed a two month internship at the Museum of Fine Arts in Boston, USA.
Gaining an internship at Historic Royal Palaces is a great opportunity for me to put all my past experience into practice. The calibre of objects that I have the chance to work with is amazing; everything has such an interesting backstory. While I’m here I am keen to develop my practical skills and carry out as many interventive treatments as possible. Having an internship which is supported by the ICON training team is really beneficial, and I look forward to meeting all the other ICON interns.
Sam Foley – Books and Bound Materials, PZ Conservation.
I originally trained in Fine Art specialising in Sculpture at Central Saint Martins. Towards the end of my studies a chance trip to the UKHO conservation studio lead me to volunteer at my local records office. It was at the Essex Record Office where I got my first hands on experience and where I decided I wished to train as a conservator. I feel extremely lucky to be given the opportunity to train at PZ conservation. I feel I have learn a huge amount even in the short time I have been here. I have already got stuck into some bookbinding, repairs and outreach projects among many other things. I now look forward to the rest of my internship and making the most of this fantastic opportunity. Back to top
Lizzie Miller - Preventive Conservation, Bolton Library and Museum Service
After completing her BA Archaeology at Sheffield University (2007) Lizzie went on to study the MA in the Conservation of Archaeological and Museum Objects at Durham University (2012). Following this she worked for a year gaining sound experience as an archaeological conservator at Bevaringscenter Fyn, Denmark. Lizzie is now pleased to be undertaking the Icon HLF internship in preventive conservation at Bolton Library and Museum Service.
Lizzie started the internship in October and has already been involved in a variety of different projects, including assisting with the planning of a new HLF Egypt gallery; coordinating the annual deep cleans of two historic halls; reviewing the Museum’s pest monitoring procedures; and undertaking a disaster kit audit project. She is also gaining practical experience by carrying out conservation treatment of objects from the Egyptology collection.
This Icon internship will give Lizzie the opportunity to learn valuable skills in preventive conservation, as well as continuing to develop her practical treatment skills of 3D objects. She hopes that this experience will contribute to her becoming a more well-rounded and capable conservator.
Lizzie is grateful to Icon, the HLF, and Bolton Library and Museum Service for making this experience possible.
On conclusion of my BA in Art Conservation and Restoration with specialization in sculptures and gilded altarpieces at the Portuguese Catholic University, I have cooperated as a conservator-restorer with several heritage preservation organizations in Portugal. During these years I have gained professional experience on the conservation of historical objects, devotional sculptures and paintings.My interest in ceramics and related materials grew up on the background and soon I started learning and working on these objects under close guidance. Demanding further specialization and unable to fulfil my aims at home, I came to the UK and enrolled in a Conservation of Ceramics and Related Materials degree at West Dean College where I have completed my MA in 2012. During that time I had the amazing opportunity to have a short work-placement in the Ceramics Conservation Department of the Victoria and Albert Museum and could experience what would be to work in such cultural institution.